Last year I came to teach in modern art institute of Tianjin academy of Fine Arts. First year I was nearly absorbed in teaching appraisal and teaching research, and at the end of the year I had made three handy finished-product installment plans."Scrip Traded Brick", mainly aims at the following topics: the real value of artware that rise rapidly in the Chinese prosperous art market, risk index contained in flourish and huge existing space about the flowing market froth, chance which flowing social fund pours into the artistic market, and art investments becoming one kind of ways of investments. In addition, I tell a monologue of individual experience in manners of watching and taunting with choosing one kind of enjoying the flower in the brume for oneself. Moreover, I undertake selective ponder of the social question.

去年到天津美院现代艺术学院教书，第一年几乎将精力都放在教学评估与教学研究上，年底作了三个现成品装置方案，《纸片子换砖头》，主要是对当下中国红红火火的艺术市场中狂飙的艺术品真正含金量的价格、流动的市场泡沫极其巨大生存空间与火爆中蕴含的风险指数、社会流动资金注入艺术市场的契机与艺术投资成为一种新型投资方式诸话题，为自己挑选一种异质而多样"雾里看花"非投入观看与嘲讽调侃态度，讲述作为个人经验批判独白，承担对当下社会问题清理性思考。

As an important dimension of modern literary theory, culture studies represent the questions of literary theory.

文化研究作为当下文学理论研究的重要维度，和其保持一定的距离，仔细审查，应当能够看到当下的文学理论研究的问题所在。1、自我迷失：理论话语他者化。2、自我膨胀和自我放逐：对象的泛化和学科边缘化。

This is why when one is present, it will offer an enticing array of subjects to lure one away.

这是为什么当一个人处在当下时，它就会提供一个诱人的主题来引诱他离开当下。

In this time and space people will also have desires and values that generated from herewith.

在这个当下时空中人们也会随之产生和当下社会有关的欲望和价值观。

This paper is divided into four parts:Part I, Introduction: We observe the state of humanity on Lu Xun and Liang Shiqiu in the present, explained the prosperity and the struggle that Lu Xun and Liang Shiqiu discourse on humanity conceptionPart II: Through pectinate the Lu Xun and Liang Shiqiu discourse on the humanity conception of the re-interpretation and processing the differences between Lu Xun and Liang Shiqiu, give the facility to discuss differences in the interpretation of humanity conception.

本文主要分为四个部分：导论：通过对当下，人性话语使用以及鲁迅梁实秋关于人性问题研究的现状，探寻人性话语阐释、鲁迅梁实秋关于人性话语论争的研究在当下文学评论界的繁荣与纠缠。上篇：通过对鲁迅梁实秋关于人性话语阐释脉络的重新梳理，初探鲁迅梁实秋关于人性话语阐释的差异，为人性话语差异的解读做好铺垫。

In 《China Mansion》, scenes are collected from all the masters in the western art history such as Angres, Courbet, Monet, Gauguin, Klein, Jones, Boucher, Rembrandt,Rubens, David, Renoir etc.The scene is decorated with coarsely copied traditional Chinese furniture,cheap copies of the western small objects, the numerous figures are all modeled by the vulgar nude, strikingly raffish and vulgar, the "nude" and the "bed"are the only point of connection with the original paintings. This cross time and space"cultural exchange"is utterly absurd creating many uncertain concepts (Wang Qingsong's words), but it is the portrait of the current blind cultural exchange.

中国之家》集合了西方艺术史大师如安格尔，库尔贝，莫奈、高更、克莱因、琼斯、布歇、伦勃朗、鲁本斯、大卫特、雷诺阿等经典作品的场景，场景以粗糙仿制的中国古典家具布置，廉价仿制的外国小玩意儿装饰，场景中众多的人物全部以粗俗的裸体模特扮演，充满中国当下的艳俗气息，裸体和"床"是唯一保留的与西方古典原作的联系点，这种跨时空的"文化交流"十分荒诞，"产生了许多不确定的概念"，但却是中国当下盲目的文化交流的写照。

Sodalite will assist in allowing one to see the bigger picture of one's current life dance and the spiritual lessons one is currently working upon as an ascending initiate.

方钠石将协助让一个人看到当下生命舞蹈中更大的图景，及作为一名提升者当下正在学习的灵性课程。

In fact, Zhuang Zi's idea is ontological, with Bici referring to "what exists at present and what does not exist at present" and Shifei referring to "to exist and not to exist". Interpreted this way, Zhuang Zi's idea is clear: it is not skeptical and sophistic as usually evaluated, but rather rich in dialectics.

实际上，庄子的这段话是从本体论意义上说的："彼此"是指"当下不存在的事物、当下存在的事物"，"是非"是指"存在、不存在"，这样来解释庄子的这段话，意思十分清楚：它并非像人们通常所评价的那样是怀疑论和诡辩论，而是充满了辩证法。

Valerian Root will assist one in embracing one's life dance in the moment and as it is.

缬草将协助你按照当下本来的样子融入当下的生命之舞。

Appreciating the present moment involves learning that the present moment is trustable if we are present for it.

要能赞赏生命的当下就必须认知一点：「只要我们能活在当下，则生命的当下是绝对可信靠的。