灵罗娃娃格温设计方案原稿 |
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Final Concept Illustration of Gwen. 格温最后的概念图 Early portrait Study早期半身画作 Ortho for her tiny doll version她的小娃娃版本 Very early pitch art based on Michael Luo’s narrative direction. I was inspired by the haunting yet beautiful approach to her narrative design.最早的原画版本是基于Michael Luo的故事方向，我的灵感来自于她那令人难以忘怀而又美丽的叙事设计。 super early iterations of the scissors champion idea. I liked the Marionette idea with the strings holding her up. I also liked the sheaths for her scissors blades on her back.早期还有很多个持剪刀英雄的设计，我喜欢用提线木偶的方式来创造她，我也喜欢她背后装剪刀刀片的刀鞘。 Early set of options for her hair style and outfit direction.她的发型和着装方向的早期选择。 Very early iterations trying to capture the tone, vibe, and personality.早期多种尝试语气，氛围和性格的营造 This is the direction we all felt good about! A doll that turns into a human form representing her fragmented memory这是我们都觉得不错的方向！变成人形的娃娃代表了她支离破碎的记忆 Vampire ****ta?吸血鬼洛丽塔？ PS:我觉得上面👆🏻这两个拳头必出皮肤 Possibility of her scissors breaking into two separate pieces then coming together as a whole我们也想过让她的剪刀会断裂成两个独立的刀片，然后合在一起成为一个整体(567:这个我熟，以气驭剪) a reanimated, cute zombie like take on her. Very early phase.一个复活的，可爱的僵尸外观版本。非常早期的阶段。 (出，都给👴🏻出皮肤!) Preliminary studies for her move set and abilities对她的动作设置和能力的初步构想 Selling the idea of gigantic scissors that could phase in an out as well as scale up at will.不是很懂这句(👴🏻不会)，大概是能发射针，然后剪刀可以随意大小变？ Playing with what her human form hair and outfit style could be. We ended up feeling strongly towards the 3rd option with the long skirt.设计她的人形发型和装束。最后我们对第三种长裙选择产生了强烈的感情。 Rough iterations of what the scissors could look like.对剪刀可能的样子进行粗略的迭代。 Designing the Scissors was a tough challenge for me as I wanted it to look authentic culturally but have that enough fantastical that felt gothic yet elegant. I also wanted to imbue the simplistic shapes that could modernize it a bit.设计剪刀对我来说是一个艰巨的挑战，因为我想让它看起来像真正的艺术，但有足够的幻想，感觉哥特式且优雅。我还想融入简单化的形状，使它现代化一点。 Working with Luis Aguas, trying to set a direction for what her Effects could look like. What the Hallowed Mist tailored to Gwen could look like and light the darkness of Shadow Isles与Luis Aguas合作，试图为她的效果设定一个方向。为格温量特制的圣霭应该是什么样的，而且能够照亮暗影岛的黑暗 I did a lot of snipping and snapping with the scissors on my desk as well as watch some scissors ASMR videos. I worked with Daniel Emmons closely on her moves.我用桌上的剪刀剪了很多东西，还看了一些剪刀ASMR视频。我和丹尼尔·埃蒙斯在她的动作上密切合作。 A doll, that Isolde could have made her self before the Hallowed Mist transformed the doll into a human like form.伊苏尔德(Isolde)在圣霭把她变成人型之前给自己制作了这个玩偶 Close up Portrait of Gwen. This I worked closely with Michael Luo to figure out the age range for the character. At the time we decided it would be poetic to have her represent a youthful reflection of Isolde. She may not be a 1 to 1 representation.格温的特写肖像。为此，我与Michael Luo密切合作，以确定角色的年龄范围。当时我们决定让她代表伊索尔德年轻的一面是很有诗意的。她可能不是一对一的代表。 以上皆转自Artstation，账号Zeronis拳头设计师 中文翻译:无双剪姬格温(菜鸡翻译，凑合着看) https://www.artstation.com/artwork/xJbkZR |
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