今年戛纳国际电影节期间，克里斯汀·斯图尔特 Kristen Stewart接受了一次专访，在这次访谈中她谈到了自己与法国的渊源，以及在法国拍摄电影的经历，还有作为演员的一些个人感想。

从9岁开始成为一名电影演员，克里斯汀·斯图尔特在她年轻的岁月了经历了一夜成名、连续数年大红大紫、票房热卖几十亿、事业巅峰跌入人生低谷、继续前行获得再次认同、 得奖、成为国际电影节评委，在这位年轻女孩的背后有着怎样的故事，这篇专访将为你解开部分答案。

特别说明：我个人已经离开学校很多年，在这些年里也没有继续学习、或在日常生活中频繁使用英文。这篇专访是我在网页上逐句翻译的，之后尽量修改的贴近口语。

文末会附上原帖地址，英文好的同学可自行查阅。

个人翻译难免有出入，还望大家不吝赐教，希望都能文明用语。

感谢阅读！

走进戛纳评委克里斯汀·斯图尔特

There's something simultaneously light and dark about Kristen Stewart. The elusive actor rose to worldwide fame in the Twilight saga before emerging as a rebellious silver-screen icon with an impressive filmography under her belt. Adored by the public, lauded by the industry, Kristen Stewart made an impact on Cannes in no fewer than three In Competition occasions, first in On the Road by Walter Salles, and then with Olivier Assayas in Sils Maria and Personal Shopper. Last year, the Festival followed the actor's first forays behind the camera with her début short Come Swim, a poignant, heart-wrenching film.

在克里斯汀·斯图尔特身上有些或明或暗的东西。这位难以捉摸的演员在《暮光之城》中一举成名，因为这部令人印象深刻的电影后来成为叛逆的银幕偶像。大众崇拜、业界称赞，克里斯汀·斯图尔特在戛纳电影节上产生了至少三次影响。第一次是沃尔特·塞勒斯的《在路上》，然后是奥利维耶·阿萨亚斯的《锡尔斯玛利亚》和《私人采购员》。去年，她第一次执导的短片《Come Swim》在戛纳展映，一部令人心酸、心碎的电影。

Festival de Cannes, Olivier Assayas, a César, Chanel… are you French at heart?

Almost! I’m getting as close as I can. I’m playing Jean Seberg in Benedict Andrews’ Against All Enemies. A lot of the dialogue is in French, although her accent is terrible. So I have to learn more than I ever have, which will be fun. I’m getting a little closer to being even more French!

问：戛纳电影节、奥利维耶·阿萨亚斯、凯撒奖、香奈儿……这是你心中对法国的向往吗？

答：几乎是的！我现在越来越像法国人了。我在本尼迪克特·安德鲁斯导演的《四面受敌 Against All Enemies》里扮演珍·茜宝。很多对话都是法语，因为她的口音很糟糕。所以我尽可能多的去学习，这样很有趣。我变得更贴近法国了！

Did you go on a French film binge?

Not as much as I should have. I’ve watched a lot of movies but I wouldn’t describe myself as a film buff. My experience has been really incredible because I literally feel like I’m attending film school. Everyone can have an emotional response to a film. It's a universal language. I don’t feel intimidated. French film is home to a really diverse group of people who are all very different, yet all really eloquent and informed. They're kind of like my teachers.

问：你为法国电影着迷吗？

答：我没有想那么多。我看过很多电影，但我不会把自己描述成一个电影迷。我的经历很复杂，因为我真的觉得我是在电影里上学。每个人都可以对电影产生情感反应。电影是一种通用语言。我不感到害怕。法国电影非常与众不同，这里的人都很有才华。他们有点像我的老师。

Olivier Assayas says you create a sense of space in the way you act. How do you feel about that?

That space is something he gives me. I made five movies in which I felt the opposite of free. I think an environment that gives you the room to create something unexpected actually takes a huge amount of planning and preparation, and a brilliant mind who knows how to put it all together and make sure everything's working together as it should. Once you have all those ingredients in place, you create space that actually provides you with the room to completely lose control.

问：奥利维耶·阿萨亚斯说，你创造了属于自己的表演模式。你对此有何感想？

答：在表演的过程中他赋予了我一些东西。我拍了五部电影，在这些影片里我可以自由发挥。我认为一个给你创造意想不到空间的环境实际上需要大量的计划和准备，一个聪明的人知道如何把所有的东西融合在一起，确保这些事情按计划进行。一旦你把所有的东西放在适当的位置，你创造出的这个空间就不会再失去控制。

"When I work with him, to be perfectly honest, we don’t even talk about what we are doing, we don’t necessarily tell the same story, but somehow we come together."

k：“当我和他一起工作的时候，老实说，我们甚至不用说该做什么，我们不用反复校验剧本，就能达到拍摄效果。”

I don't try to generate any specific emotion, I never felt like he wanted me to achieve anything in particular. It’s a different way of working and it’s great, although I prefer feeling more directed, having someone waiting with a safety net ready for me to fall into.

我不想产生任何特定的情感，我从来没有觉得他想要我取得什么特别的成就。这是一种不同的工作方式，很棒。虽然我希望更多的被指导，就好像等着别人准备好一个安全的环境让我能够融入。

In Personal Shopper, you blur gender lines, it’s like you could be either a man or a woman…

That’s perfect because I think that the loss of my character's brother is so central, it’s almost like she wants to be him in order to have him closer to her, in order to not have to miss him and she’s going through this really difficult grieving process. I love that there in an ambiguity in the character, you really never quite know who the fuck she is because she doesn’t know herself.

问：在《私人采购员》中，你模糊了性别界限，就像你可以是男人也可以是女人…

答：这是完美的，因为我以影片中失去的兄弟为中心，这就像她想成为他，让他更接近她。为了不错过感应到他，她正在经历一个非常艰难的悲伤过程。我喜欢故事里的人模棱两可，你真的不知道她是谁，因为她不了解自己。

Could you play a man?

Totally! Gender is a bit of a myth if you ask me. Everyone’s individual relationship with gender is totally theirs to define. But I really think because of the flexibility inherent to gender, there's room for all types of approach.

问：你能扮演男人吗？

答：当然！如果你问我，性别是可以虚构的。每个人的性别都是他们自己定义的。但我真的认为，性别可以很灵活，有各种方法去实现。

What's your dream role?

I have a hard time defining what I want to do as an actor. As a filmmaker, as a director, the question is easier. As an actor, I want to never know. I want to be present in something and have it feel so real that I feel like it’s not made up, like I’m honouring a part of the story. It’s always a surprise. As soon as I start having a hand in shaping things...like, I’ll never produce a movie, I promise you. I will never set up a production company. I want to write and direct. And act for people who write and direct.

问：你梦想的角色是什么？

答：我很难确定我想成为什么样的演员。作为电影制作人、作为导演，这个问题比较容易。作为演员，我永远不知道。我想塑造某个人，让他看起来真实，不像是虚构的 。就像我尊重故事本身，让它看起来像个惊喜。一旦我开始定型某些事情，我将无法创造出电影，真的是这样。我没有办法再去准备任何事情。我想成为编剧和导演，也愿意当一名演员。

Your first short film, Come Swim, was revealed here in Cannes. What did it teach you?

Thierry Frémaux has been nice to me. To be honest, it kind of closed a chapter for me. I had this kind of awakening. The thing that I took away from it was that I want to fucking make movies because it feels good, because it really is the best way to capture something, to put your finger on something and to bring a group of people together who feel the same way. Movies can educate, they can bring us together, bridge gaps, make us feel less alone. At the end of that movie I just felt totally fulfilled.

问：你的第一部短片，《Come Swim》在戛纳展映，你从中学到了些什么呢？

答：蒂耶里·福茂（注：戛纳电影节主席）一直对我很好。说实话，参与戛纳电影节开启了我人生中新的一章。我好像被唤醒了，我想要拍电影，这种感觉太棒了，透过电影去展示事物是一种很好的方法。用你自己的能力去打造一件事情并且让更多的人参与进来。电影可以教育，它把我们集合在一起，消除隔阂，让我们感觉不再孤单。当拍摄结束，我感到非常满足。

What will your first feature film be about?

I’m adapting a memoir. It’s called The Chronology of Water. Lidia Yuknavitch is from Portland. I love her novels but her memoires… it’s deeply personal to her. She’s in my blood and I knew that before I met her. As soon as I met her it was like we started this race without any sense of competition. I'm making the movie this summer but other than that, my only goal is just to finish the screenplay and hire a really spectacular actor: I’m going to write the best fucking female role. I’m going to write a role that I want so badly but that I’m not going to play.

问：你的第一部长片电影是关于什么的？

答：我正在改编一本回忆录，书名为《The Chronology of Water》。Lidia Yuknavitch（注：我个人猜测可能是作者）来自波特兰。我喜欢她的小说，但她的回忆录……只属于她自己。她的小说融入我的血液里，遇见她之前我就知道了。我一见到她就感觉到强烈的认同。我今年夏天开始拍摄这部电影。除此之外，我唯一的目标就是完成剧本，雇佣一个非常出色的演员。我要写最好的女性角色。我要写一个我想要的角色，但我不会是这个角色的扮演着。

原文地址：

https://www.festival-cannes.com/en/festival/actualites/articles/close-up-with-kristen-stewart-feature-films-jury-member